{"id":401,"date":"2024-07-01T23:28:05","date_gmt":"2024-07-01T21:28:05","guid":{"rendered":"https:\/\/www.jozefsedlak.sk\/?post_type=galeria&#038;p=401"},"modified":"2024-07-15T21:53:08","modified_gmt":"2024-07-15T19:53:08","slug":"ustavy-socialnej-starostlivosti-1980-1995","status":"publish","type":"galeria","link":"https:\/\/www.jozefsedlak.sk\/en\/galeria\/ustavy-socialnej-starostlivosti-1980-1995\/","title":{"rendered":"\u00dastavy soci\u00e1lnej starostlivosti 1980 \u2013 1995"},"content":{"rendered":"\n<p><strong>\u00dastavy soci\u00e1lnej starostlivosti 1980 \u2013 1995<\/strong><\/p>\n\n\n\n<p>Mo\u017eno ani jeden z\u00e1ber z&nbsp;cyklu \u201e\u00dastavy\u201c nie je jasnou a definit\u00edvnou odpove\u010fou&nbsp; na ot\u00e1zku princ\u00edpu subsidiarity vo vz\u0165ahu k znev\u00fdhodnen\u00fdm skupin\u00e1m alebo v\u0161eobecnej orient\u00e1cii spolo\u010dnosti vo vz\u0165ahu k&nbsp;soci\u00e1lno-kritick\u00fdm t\u00e9mam. Je&nbsp; pocitom, my\u0161lienkou&nbsp; obrazov\u00fdm znakom, mor\u00e1lnym \u010dinom, mo\u017eno umeleck\u00fdm dielom&nbsp; \u2013&nbsp; produktom nepripraven\u00fdch \u013eud\u00ed ob\u00e1vaj\u00facich sa mno\u017einy strachov. S\u00fa to strachy, ktor\u00e9 vieme odv\u00e1\u017ene interpretova\u0165 pri r\u00f4znych t\u00e9mach a svetoch, ale ktor\u00e9 nevieme znies\u0165, ke\u010f sa jedn\u00e1 o n\u00e1\u0161 svet.<\/p>\n\n\n\n<p>Fotografovanie soci\u00e1lne znev\u00fdhodnen\u00fdch skup\u00edn je neust\u00e1le verifikovan\u00e9 s osobnou sk\u00fasenos\u0165ou, so soci\u00e1lnou legislat\u00edvou \u0161t\u00e1tnych org\u00e1nov, psychol\u00f3giou, filozofiou, sociol\u00f3giou \u010di n\u00e1bo\u017eenstvom. S\u00fa\u010dasn\u00e9 \u017e\u00e1nre soci\u00e1lneho dokumentu predpokladaj\u00fa n\u00e1roky na interdisciplin\u00e1rnu diskusiu&nbsp; v \u010dasopriestore, v ktorom je nevyhnutn\u00e9 kl\u00e1s\u0165 ot\u00e1zky o&nbsp;zmysle existencie (ontol\u00f3gii bytia), ale nesk\u00f4r aj formulova\u0165 odpovede. Fotografie predov\u0161etk\u00fdm star\u00fdch ment\u00e1lne postihnut\u00fdch \u013eud\u00ed, alkoholikov, ment\u00e1lne postihnut\u00fdch det\u00ed, r\u00f3mskych det\u00ed odobrat\u00fdch \u0161t\u00e1tom, det\u00ed bez rodi\u010dov,&nbsp; opusten\u00fdch det\u00ed pri naroden\u00ed, tvoria pr\u00edbeh slovenskej spolo\u010dnosti, ktor\u00fd nie je v\u017edy kr\u00e1sny, naopak priamy \u2013 \u017eiv\u00fd obrazov\u00fd dokument poburuje, provokuje a je katalyz\u00e1torom autentickej pr\u00edtomnosti.<\/p>\n\n\n\n<p>Cyklus \u201e\u00dastavy\u201c predstavuje \u010dasozbern\u00fd dokument v&nbsp;r\u00f4znych&nbsp; \u010dasov\u00fdch obl\u00fakoch, etap\u00e1ch a prostrediach soci\u00e1lnych \u00fastavov, prisvojuje si aktu\u00e1lny vizu\u00e1lny jazyk ako soci\u00e1lny koncept v\u0161eobecnej ikonografie ukotvenej v&nbsp;hist\u00f3rii. Napriek tomu, \u017ee sa mnoh\u00e9 veci recykluj\u00fa, metodologicky pos\u00fava autor poetiku videnia reality (vz\u0165ahov, identity, \u010dloveka, pr\u00e1ce, objektov) nielen do kontextu ob\u017ealoby a falzifik\u00e1cie (tzv. posthumanistick\u00e9ho dokumentu), ale aj emocion\u00e1lneho, subjekt\u00edvneho kon\u0161truktu&nbsp; vyp\u00e4tej estetizuj\u00facej situ\u00e1cie na hranici melancholick\u00e9ho divadeln\u00e9ho obrazu. V&nbsp;tomto uchopen\u00ed (k\u00f3dovan\u00ed) je aj citlivos\u0165 k pochopeniu vlastnej evol\u00facie, existenci\u00e1lneho, duchovn\u00e9ho a&nbsp;sebareflex\u00edvneho postoja autora k&nbsp; normotvorn\u00fdm ot\u00e1zkam, hodnote \u017eivota, viery a&nbsp;v\u00fdznamu umenia.<\/p>\n\n\n\n<p><strong>Institutions of social care 1980 \u2013 1995<\/strong><\/p>\n\n\n\n<p>Perhaps not a single image from the cycle of the Constitution is a clear and definitive answer to the question of the principle of subsidiarity in relation to disadvantaged groups or the general orientation of society in relation to socially critical topics. It is a feeling, a thought, an image, a moral act, perhaps a work of art &#8211; the product of unprepared people fearing a set of fears. They are fears that we can bravely interpret in various topics and worlds, but which we cannot bear when it comes to our world.<\/p>\n\n\n\n<p>Photographing socially disadvantaged groups is constantly verified with personal experience, with social legislation of state bodies, psychology, philosophy, sociology or religion. Current genres of social document presuppose demands for interdisciplinary discussion in a time-space in which it is necessary to ask questions about the meaning of existence (ontology of being), but later also to formulate answers. Photos of mainly old mentally disabled people, alcoholics, mentally disabled children, Roma children taken away by the state, children without parents, children abandoned at birth, make up the story of Slovak society, which is not always beautiful, on the contrary, direct &#8211; a living visual document incites, provokes and is a catalyst authentic presence.<\/p>\n\n\n\n<p>The cycle of the Institute presents a time-lapse document in different time arcs, stages and environments of social institutes, it appropriates the current visual language as a social concept of general iconography anchored in history. Despite the fact that many things are recycled, the author methodologically shifts the poetics of seeing reality (relationships, identity, people, work, objects) not only to the context of accusation and falsification (the so-called posthumanist document), but also to the emotional, subjective construct of a tense aestheticizing situation on the border a melancholic theatrical image. In this grasp (coding) there is also a sensitivity to understanding one&#8217;s own evolution, the author&#8217;s existential, spiritual and self-reflective attitude towards normative questions, the value of life, faith and the meaning of art.<\/p>\n","protected":false},"featured_media":402,"template":"","meta":{"_acf_changed":true,"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}}},"kat":[10],"class_list":["post-401","galeria","type-galeria","status-publish","has-post-thumbnail","hentry","kat-projekty-1980-2024"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>\u00dastavy soci\u00e1lnej starostlivosti 1980 \u2013 1995 - Jozef Sedl\u00e1k<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.jozefsedlak.sk\/en\/galeria\/ustavy-socialnej-starostlivosti-1980-1995\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u00dastavy soci\u00e1lnej starostlivosti 1980 \u2013 1995 - Jozef Sedl\u00e1k\" \/>\n<meta property=\"og:description\" content=\"\u00dastavy soci\u00e1lnej starostlivosti 1980 \u2013 1995 Mo\u017eno ani jeden z\u00e1ber z&nbsp;cyklu \u201e\u00dastavy\u201c nie je jasnou a definit\u00edvnou odpove\u010fou&nbsp; 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